Ditto music is a censorship platform, do not give them business
Ditto Music Blocks Anti-Fascist Release: A Statement on Free Speech and Corporate Censorship
This week I received a message from Ditto Music regarding my forthcoming release titled Dulce et Decorum Est. In their words:
“In compliance with music platform guidelines your release contains content that is deemed insensitive or showing political or cultural bias. For this reason we are unable to distribute your content to stores.”
They have not refunded me.
Let’s be clear: what they mean is that my music is politically engaged — and more to the point, it is intolerant of fascism. The track in question deals with the realities of war, nationalism, and settler-colonial violence. In other words, it dares to challenge the status quo. It refuses to be neutral in the face of injustice. It honours Wilfred Owen’s legacy not by sanitising it, but by updating it for the brutalities of our time.
If Ditto Music finds such content objectionable, then the inference is hard to avoid: they are protecting fascism from critique. They are shielding empire from reckoning. In censoring this track, Ditto Music is not “avoiding bias” — they are enforcing one: the bias of colonial silence, of commercialised apoliticism, of complicity.
Let’s also not forget: Ditto Music is based in the United Kingdom — a country whose own historical and contemporary entanglements with settler-colonial regimes are far from neutral. That context makes their refusal to distribute this track especially telling.
To summarise: I am being penalised for making music that confronts fascism, that mourns war, and that refuses to dress it up as honour. Ditto Music has not explained which lines or lyrics were problematic. They have not refunded me. They have not engaged in good faith. But they have made one thing very clear: truth makes them uncomfortable.
That discomfort is their problem, not mine.
— John Ostrowick
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